![]() The FS XLR includes two balanced stereo XLR outputs that require phantom power. The microphone also contains a bass roll-off switch with a knee point of 160 hz (3.5mm output only). With the power switch in the ON position, the battery will last 300+ hours of continuous use (3.5mm output only). The FS XLR binaural microphone contains two matched, electret condenser microphone capsules embedded inside each ear canal and can be powered by the pre-installed 9V battery or phantom power via the XLR outputs. When you listen to binaural recordings using headphones, the result is a natural three-dimensional sound that gives the listener the sensation of being in the space where the audio was recorded. Our brains understand these changes as directional cues that allow us to pinpoint precise locations of any given sound. Incoming sound waves are changed by the ear-shaped pinna of the microphone just like your ears would change the incoming sound waves. Binaural microphones capture audio the same way your real ears hear sounds. The 3Dio FS XLR binaural microphone is a special stereo microphone that contains two prosthetic, human-shaped ears with microphone capsules embedded inside each ear canal. Used all over the world by hobbyists and professional recording engineers alike, 3Dio binaural microphones are a must-have for anyone looking for the best in 3D audio capturing.īinaural is a recording technique that involves capturing sound using a stereo binaural microphone that is shaped and configured like two human ears. Featuring two XLR outputs in addition to the 1/8" (3.5mm) stereo output, the XLR outputs are balanced to maintain a pristine audio signal for long cable runs as well and infinite use via phantom power supply. Sennheiser offers the free plugin Ambeo Orbit, that facilitates the mixing of immersive binaural content during post-production.The 3Dio FS XLR Binaural Microphone is an upgraded version of the world’s most popular 3D microphone for ASMR, VR virtual reality, field recording and recording studios. The KU 100 is mounted to standard microphone stands at the top or the bottom side, with a 5/8"-27 female thread, plus thread adapters to connect to 1/2"- and 3/8" studs. Three powering options are available: P48 phantom power, internal battery, and external PSU (included). The KU 100 has a balanced XLR 5 stereo output and unbalanced BNC outputs. A second switch offers three low cut options, 150 Hz, 40 Hz, and linear. Thanks to its state-of-the-art transformerless circuitry, the KU 100 has very low self-noise and can handle high sound pressure levels of up to 135 dB without audible distortion and up to 145 dB with the –10 dB preattenuation switch activated. Immersive sound has never been easier: Simply place the KU 100 at the optimal listening position! Unlike older dummy head microphones, the KU 100 is compatible with loudspeaker playback, too, creating a stereo image similar to conventional microphones yet with a superior sense of space and depth. KU 100 recordings played back over high quality headphones thus give the listeners an experience almost identical to what they would have heard with their own ears at the recording position, with stunning lateral and vertical localization and a breathtaking sense of space and a room decay that surrounds the listener. Two omnidirectional condenser capsules are built into artificial ears mounted on an enclosure resembling a human head. The KU 100 dummy head is a binaural stereo microphone. ![]() Moreover, head related stereo recordings are truly immersive: While conventional stereo recordings are limited to left and right and, at best, a sense of depth behind those speakers, head related recordings create a three dimensional sonic image surrounding the listener. Dummy head recordings are a much more immediate experience, because they transfer the listener into the environment the acoustic event originally took place. The result is often dissatisfactory because the original room is put into a second room. Conventional recording techniques attempt to transfer an acoustic event into the listener’s environment.
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